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Mathilde Marchesi
- Date Issued:
- 2011
- Summary:
- Mathilde Marchesi played a significant role in vocal education during the nineteenth and early twentieth centuries. Marchesi taught many of the prominent female vocalists of her time and published a wealth of material based on the bel canto style and her own vocal methods. The research presented includes an examination of musical influences in early years, and provides information related to Marchesi's studies with Manuel Garcia II who played an important role in Mathilde's training and future devotion to the bel canto style. Section II defines the Marchesi method, with analysis of her techniques and methodology. Information on three of her most well known students - Nellie Melba, Emma Eames, and her own daughter, Blanche Marchesi, is presented in Section III along with narrative offering insight into Marchesi's personality and character. The thesis concludes with discussion of the viability and applicability of Marchesi's vocal pedagogy one hundred years after her death.
Title: | Mathilde Marchesi: a study of her life and work in vocal pedagogy, including historical and modern implications. |
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Name(s): |
Craik, Joanna Lee Dorothy F. Schmidt College of Arts and Letters Department of Music |
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Type of Resource: | text | |
Genre: | Electronic Thesis Or Dissertation | |
Date Issued: | 2011 | |
Publisher: | Florida Atlantic University | |
Physical Form: | electronic | |
Extent: | vii, 100 p. : ill., music | |
Language(s): | English | |
Summary: | Mathilde Marchesi played a significant role in vocal education during the nineteenth and early twentieth centuries. Marchesi taught many of the prominent female vocalists of her time and published a wealth of material based on the bel canto style and her own vocal methods. The research presented includes an examination of musical influences in early years, and provides information related to Marchesi's studies with Manuel Garcia II who played an important role in Mathilde's training and future devotion to the bel canto style. Section II defines the Marchesi method, with analysis of her techniques and methodology. Information on three of her most well known students - Nellie Melba, Emma Eames, and her own daughter, Blanche Marchesi, is presented in Section III along with narrative offering insight into Marchesi's personality and character. The thesis concludes with discussion of the viability and applicability of Marchesi's vocal pedagogy one hundred years after her death. | |
Identifier: | 748819456 (oclc), 3174506 (digitool), FADT3174506 (IID), fau:3689 (fedora) | |
Note(s): |
by Joanna Craik. Thesis (M.A.)--Florida Atlantic University, 2011. Includes bibliography. Electronic reproduction. Boca Raton, Fla., 2011. Mode of access: World Wide Web. |
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Subject(s): |
Marchesi, Mathilde, 1821-1913 Marchesi, Mathilde, 1821-1913 Music -- Acoustics and physics Singing -- Instruction and study Bel canto |
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Persistent Link to This Record: | http://purl.flvc.org/FAU/3174506 | |
Use and Reproduction: | http://rightsstatements.org/vocab/InC/1.0/ | |
Host Institution: | FAU |